Tip the band
Personnel
Reeds
Lauryn Gould, Jenna Przybysz, John Lindsay, Adam Lee-Morgan
Trumpets
Keith Ransons, Clarence McDuffie, Brian Watson
Trombones
Jerome Smith, Riley Baker
Rhythm
Nick Rossi, Eve Elliot, Katie Cavera, Jessica Ragsdale
Featured Vocalist
Shaymus Hanlin
repertoire
Bearcat Shuffle
Dunkin' A Doughnut
Mess-A-Stomp 1929
Mess-A-Stomp 1938
Mary's Idea 1930
Mary's Idea 1938
Close to Five
The Lady Who Swings the Band
Steppin Pretty
Big Jim Blues
Lotta Sax Appeal
Cloudy
Little Joe From Chicago
Froggy Bottom
Scratchin' in the Gravel
Walkin' and Swingin'
Toadie Toddle
What's Your Story, Morning Glory
A Mellow Bit Of Rhythm
Whistle Blues
Camel Hop
Blue Skies (Trumpets No End)
Super Secret Encore!
Support the Mary Lou Williams Project
Mary Lou Williams was a Pittsburgh raised jazz pianist and composer who would go on to become one of the most influential jazz musicians of all time, writing music for Andy Kirk in Kansas City and later Duke Ellington and Benny Goodman, as well as informally instructing jazz greats such as Dizzy Gillespie and Thelonious Monk.
While Williams’ later work has received a lot of attention in recent years due to accessibility of sheet music and high quality recordings, her earlier work that she did for the big bands has been considerably harder to get ahold of, with just a handful of charts available.
The project is to recreate musical scores from her handwritten notes (working in conjunction with the rights holders, the Mary Lou Williams Foundation) and then produce both published packets for educators and also a series of concerts to promote the extraordinary work of Williams.
Money raised will pay for the time and expertise spent carefully transcribing modern readable sheet music from the archival notes and recordings, paying additional transcribers and music editors to double-check the accuracy of the work, and rehearsing and performing the work to create high-quality presentations of the music, and the editing of the charts into derivative works playable by school and community bands. There are still dozens of great Williams compositions out there waiting to be given close attention.